Tuesday, March 27, 2012

14K White Gold 6 Prong Pear Peg V-End Setting 3x5mm

Discounted! 14K White Gold 6 Prong Pear Peg V-End Setting 3x5mm

14K White Gold 6 Prong Pear Peg V-End Setting 3x5mm - The Best Selection

14K White Gold 6 Prong Pear Peg V-End Setting 3x5mm

14K White Gold 6 Prong Pear Peg V-End Setting 3x5mm

  • Metal - 14K White Gold
  • Setting - 6 Prong Pear
  • Head Height - 5mm
  • Approximate Width - 3.0mm
  • Approximate Length - 5.0mm

This is a new 14K White Gold 6 Prong Pear Peg V-End Setting. Create dazzling gemstone jewelry with this setting. Metal - 14K White Gold Setting - 6 Prong Pear Head Height - 5mm Approximate Width - 3.0mm Approximate Length - 5.0mm

( Product Infomation Posted On Time : Mar 27, 2012 06:33:52 View Last Update Infomation At Amazon)

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Thursday, March 15, 2012

Complete Duo Recordings

!±8±Complete Duo Recordings

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Price : $53.56
Post Date : Mar 15, 2012 17:21:11
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Although Argerich has participated in numerous musical partnerships, not to mention her longtime mentoring of young artists, her associations with violinist Gidon Kremer and cellist Mischa Maisky are surely among the pianist's most substantial and musically rewarding collaborations. The present collection includes all of the Argerich/Kremer and Argerich/Maisky duo recordings for Deutsche Grammophon as originally released and in chronological order, allowing listeners the opportunity to trace each duo's evolution in terms of artistic rapport, sensitivity, risk-taking and the fine tuning of nuance.

Any discussion of Beethoven's violin sonatas (CDs 1, 4, 9 & 10) must address the fact that the composer did not designate these works as being "for violin and piano". For example, the first published edition of the "Spring" Sonata op. 24 from October 1801 reads "Sonate pour le Piano Forte," in large letters, followed in smaller print by "avec un Violon." Similarly, the title-page of the first edition of the "Kreutzer" Sonata op. 47 from April 1805 reads "Sonata per il Piano-forte ed un Violino obligato." None of this should be taken to mean that the violin writing plays "second fiddle" to the piano part, so to speak, but rather that both instruments carry equal weight within the musical discourse.

Argerich and Kremer understood this from the start of their recorded Beethoven encounters, originally intended as part of a series encompassing all the violin sonatas, the music for cello and piano with Maisky, plus the five piano concerti with Giuseppe Sinopoli and the Philharmonia Orchestra (in the end, Argerich and Sinopoli recorded only the First and Second Concertos). Initially Argerich expressed apprehension about recording Beethoven, lest her readings might sound self-conscious under the microphone's objective, unforgiving scrutiny. Yet, during an interview conducted prior to the cycle's final sessions, both Argerich and Kremer spoke of using the recording process to look for the unexpected. "It was an inspired idea to match (Argerich) against a violinist so unpredictable as she is herself," wrote Edward Greenfield in Gramophone, "for though there is nothing `safe' about these interpretations, and not everyone will respond to their sparkling, volatile qualities, the liveness of the experience is undeniable."

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Saturday, February 25, 2012

The Decca Sound

!±8±The Decca Sound

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Price : $125.64
Post Date : Feb 25, 2012 21:42:04
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A limited-edition 50-CD set of legendary recordings celebrating the world-renowned DECCA sound.

Classic-status pioneering stereo recordings from the past 55 years and starring a galaxy of internationally-acclaimed artistic talent. Each CD is presented in a sleeve with original cover art, along with a short review of the main work. Where an original release may have been of short duration due to limitations of the LP a bonus work featuring the same artists has been added. Also included is a 200-page booklet documenting the development of stereo recording as it developed in the 1950s through to modern digital recordings. Full recording information on each disc is included and there are numerous photographs. Truly a must-have collection for any audiophile.

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Friday, February 17, 2012

Beethoven: The Symphonies

!±8±Beethoven: The Symphonies

Brand : KARAJAN,HERBERT VON
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Price : $62.33
Post Date : Feb 17, 2012 02:49:45
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No Description Available
No Track Information Available
Media Type: SACD
Artist: KARAJAN,HERBERT VON
Title: SYMPHONIES
Street Release Date: 11/25/2003
Domestic
Genre: CLASSICAL ARTISTS

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Sunday, January 1, 2012

Mouse In the House - What Should You Do Now

!±8± Mouse In the House - What Should You Do Now

Did you find a mouse in the house? Are you sure it was a mouse, and not a rat? If you are not sure if it was a rat or a mouse, then it was probably a mouse. Mice are much smaller and much more common than rats. Rats are always near water, so coastal areas will see more rats than the average population. Mice are truly everywhere, and they are most common in the winter months.

If you have a mice infestation, then you should know that a house cat can't get rid of the mice himself. This is one of the common myths about mice. Mice reproduce very quickly, and a house cat won't be able to keep up with a rapidly expanding mice population. Your four legged friend may alert you that you have a problem, but you need more than your feline to get rid of them forever.

Mice infestations don't start in the kitchen. If you are finding droppings in the kitchen cabinets, this means you already have a bad infestation. You don't have to find a mouse in the house to know you have a bad infestation. You don't want to look for live mice. I was personally in the pest control industry for two years, and I only saw live mice on three occasions. Mice poop all the time, so you want to look for their droppings. Mice dropping are about the size of a grain of rice.

If you are trying to figure out if you have them, there are three places to look. If you have a garage, look along the walls in the garage first. You may find droppings along the wall. Mice usually travel along ledges and walls. For this reason, you should check all along the walls in the garage. They are very common in the garage because the garage door is not sealed well. The rubber that runs along the bottom of a garage door starts to curl up after a few years, and this makes it easy to get a mouse in the house.

Once they get in the garage, they could go anywhere in the house. You don't want to put holes in your walls, so head up to your attic. See if there is any activity in the attic area. If you have a pull down stair that goes up into the attic, you will often find droppings falling out of the door as you pull the door down from the ceiling. Check the door first, and then check along the rafters and other areas of the attic. Check inside storage boxes and other areas too. There are many areas where they may be hiding. Squirrel droppings and bat droppings are also common in attics, but mice droppings are the most common pests in the attic. A mouse in the house is often hanging out in the attic.

Mice are also very common in crawl spaces. Look for droppings on the vapor barrier and other areas. Sometimes you can find mice nests in the insulation in the crawl space. You may not have a mouse in the house, but they are very common in the crawl space.

The best way to exterminate mice is through the use of bait boxes and snap traps. You can also purchase throw bags with mouse bait. Place these along the walls in the crawl space and the garage. In stand-up attics, I like to place the snap traps along the edge of the floor. Make sure you do not place bait out in the open where other pets and animals can get to it. The bait needs to be in a protected box or bag so that pets and children can't get to it. If you want to get rid of a mouse in the house, you should use bait first.


Mouse In the House - What Should You Do Now

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